Music is the soul of the movie. When it comes in, it’s almost like a re-write. Music touches the deepest part of the human subconscious, and through it becomes part of the ‘shadow area’ of film.
Oliver Stone
| • | Mood | Audio | Track | Film |
|---|---|---|---|---|
| 1. | Tender | Warm, gentle, jazzy. | Rifiuto | The Mermaid Mushroom |
| 2. | Action | 30-second thematic build; savage undertones. | Fiona Falls | Inherit the Witch |
| 3. | Action | Pounding, complex. | Visiting Maureen's | Innocent Victims |
| 4. | Hypnotic | Mobile of metals, with screaming ondes Martenot solo from 00:40. | A Gift of Equal Consequence | Inherit the Witch |
| 5. | Action | Exciting, pulsing, polyrhythmic synths. Fat timpani throbs + a wink of funk. From 01:01 apocalyptic choral build with motif reprise. | Walker Storms the Plant | Sudden Fury |
| 6. | Tender | Brass & guitar with unexpected turns. Chorale from 01:30. | Give Me Your Hand | Tornike  |
| 7. | Disturbing | Eerie electronic textures accompanying slow melody on electric piano. | The Last Thing You Ever See | Sudden Fury |
| 8. | Intimate | Intro. leading to light, expansive rise. | Lovers in the Forest | The Mermaid Mushroom |
| 9. | Light Tension | Tremolo and pizzicato strings with tuned percussion and clarinet. | The Death of Love | Game Over |
| 10. | Intriguing | Questioning passage with strings, harp & electronics. | Tim Spies | Game Over |
| 11. | Menacing | Electronics, piano, flute, harp. Dramatic opening. Gradual descent into?! | Charnel House (edit) | Inherit the Witch |
| 12. | Sad | Innocent, touching. Dialogue between piano and harp. Hint of sun at end. | Sad Stories | The Mermaid Mushroom |
| 13. | Morphing | Electronics to birdsong and back. Climax at 00:37. Seamless sound transformation returns to nature. | What the Hell is That? | Inherit the Witch |
| 14. | New Dawning | All is well. (Or is it?) | The Circle Complete | Inherit the Witch |
| 15. | Passionate | Warm, intimate dialogue between harp and piano, backed by soft strings. | Love in the Bell Tower | The Mermaid Mushroom |
| 16. | Portentous | Aching, dark strings backed by vibraphone and harpsichord. | Confessional | Game Over |
| 17. | Rage | Seething strings, bass synthesizer, solo 'cello. Deep sting at 00:41. | Herod's Rage | The 3 Kings |
| 18. | Mystery | With drone shot. Aerial view of victim. Orchestra. Timpani. | New Forest | Inherit the Witch |
| 19. | Sinister | Edgy intro. Distant nightingale leads (from 0:35) to funky get-up-and-go synths with string backing. Unsettled ending. | The Nightingale | The Punk & the Princess |
| 20. | Spooky | Human voices transition impossibly into bell. | Extract from 'The Nun' | The Lunatic, the Lover & the Poet |
| 21. | Suave | Delicate piano and contrabass opening. Strings & orchestra enter. Dialogue between Clavioline & harpsichord. Up a gear from 01:09. | The Guests Arrive | Game Over |
I was deeply impressed by the quality of your musical compositions. The classiness and professionalism that emanate from your work are truly remarkable. Thanks
Thank you Faruk 🙂
François.