| Mood | Audio | Track | Film | |
|---|---|---|---|---|
| 1. | Action. Pickups looming, then full-on from 00:38. | | Fiona Falls | Inherit the Witch |
| 2. | Action. Exciting, pulsing, polyrhythmic synths. Fat timpani throbs & a wink of disco. From 01:01 apocalyptic choral build with motif reprise. ...Piece continues. | | Walker Storms the Plant | Sudden Fury |
| 3. | Disturbing. Eerie electronic textures accompanying slow melody on electric piano. | | The Last Thing You Ever See | Sudden Fury |
| 4. | Dreamy. Introduction with poignant solo flute performing slower version of film theme. | | The Dream | The Mermaid Mushroom |
| 5. | Hypnotic. Mobile of metals with screaming ondes Martenot solo from 00:40. | | A Gift of Equal Consequence | Inherit the Witch |
| 6. | Intimate intro leading to light, expansive rise. | | Lovers in the Forest | The Mermaid Mushroom |
| 7. | Intriguing, questioning passage with strings, harp & electronics. | | Tim Spies | Game Over |
| 8. | Menacing. Eletronics, piano, flute, harp. Dramatic opening. Gradual descent into ???! | | Charnel House (edit) | Inherit the Witch |
| 9. | Morphing. Electronics to birdsong and back. Climax at 00:37. Seamless transformation back to nature. | | What the Hell is That? | Inherit the Witch |
| 10. | New Dawning. All is well. (Or is it?) | | The Circle Complete | Inherit the Witch |
| 11. | Passionate, warm, intimate dialogue between harp and piano, backed by soft strings. | | Love in the Bell Tower | The Mermaid Mushroom |
| 12. | Portentous, dark strings. Architectured chords backed by vibraphone and harpsichord. Surprise flourishes from 00:50 and 02:06. Repeats from 01:24 with new piano and bass-accordion figurations. | | Confessional | Game Over |
| 13. | Rage. Seething strings, bass synthesizer, solo 'cello. Deep sting at 00:41. | | Herod's Rage | The 3 Kings |
| 14. | Rage. With drone shot. Aerial view of victim. Orchestra. Timpani. | | New Forest | Inherit the Witch |
| 15. | Sinister, edgy into. Distant nightingale leads to funky get-up-and-go synths with string backing. Quizzical ending. | | The Nightingale | The Punk & the Princess |
| 16. | Spooky. Human voices transition impossibly into bell. | | Extract from 'The Nun' | The Lunatic, the Lover & the Poet (pop album) |
| 17. | Suave. Delicate piano and contrabass opening. Strings & orchestra enter. Dialogue between Clavioline & harpsichord. Up a gear from 01:09. | | The Guests Arrive | Game Over |
| 18. | Tender, warm, gentle, jazzy. | | Rejection | The Mermaid Mushroom |
For more music by François Evans, please visit the La.M.P. SoundCloud Page. 
